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This blogger, Richard Gehr, is not an employee of AARP. The opinions expressed in the blog are not necessarily the opinions of AARP and AARP assumes no liability for the content posted by Mr. Gehr or any other participant

September 06, 2007

Composer Phil Kline (of Unsilent Night fame) anticipates the University of Illinois's September 13-15 Wall to Wall Guitar Festival with a free performance today at 3:30. Kline's World on a String will transform the school's Krannert Center lobby into a ginormous meta-guitar. The festival officially kicks off next Thursday with a party featuring Toubab Krewe, Sonny Landreth with Cindy Cashdollar, the Campbell Brothers, the Yohimbe Brothers with Vernon Reid and DJ Logic, Bob Brozman, and Led Kaapana—which is to say, an eclectic assortment of afropop, blues, gospel, Asian, and Hawaiian styles. Friday night's Global Guitar event features Iraq's Rahim AlHaj, India's Vishwa Mohan Bhatt, and French-Algerian Pierre Bensusan. Latin rock giants Los Lobos perform at 10 p.m., and rowdy electric blues benders the North Mississippi Allstars at midnight. Sunday's events include classical guitarists the Romeros; India-influenced blues guitarist Harry Manx; a Wood, Steel, and Beyond event featuring experimentalists Kaki King, Tony McManus, and Alex de Grassi; a rare US appearance by John McLaughlin and the 4th Dimension; and an Evening Blues show with Malian guitarist Abdoulaye Alhassane Toure, Hot Tuna's Jorma Kaukonen, and Chicago legend Buddy Guy. And, yes, I really wish I could be there.

I'd also have liked to attend the Banff International String Quartet Competition, which wrapped up Monday night in beautiful Banff, Alberta. Australia's TinAlley String Quartet won the contest, which consisted of quartets by Haydn, Beethoven, Webern, Bartók, and a new quartet written for the competition by Canadian composer Kelly-Marie Murphy. The good news is that you can listen to all thirty-two performances via the CBC's Concerts on Demand, which contains many other great performances from across Canada.

August 02, 2007

Rough Guides have long been my go-to sources of no-nonsense travel wisdom—and they put out some decent international music compilations as well. So I'm a little surprised it took me so long to stumble across World Party: The Rough Guide to the World's Best Festivals, which came out in December. I've said it before and I'll say it again: Music and food are the best reasons to travel. And the world's most festive celebrations tend to focus on either one or the other, or, as in the case of the New Orleans Jazz and Heritage Festival, both. (Add the Galway International Oyster Festival; Mendoza, Argentina's wine-centric Vendimia Festival; and Porto, Portugal's fishy Festa do São João to my list.)

As for music, you could construct a lifetime travel itinerary from festivals constructed to celebrate local and international sounds. You may not be up for England's often-muddy Glastonbury Festival ("quite simply the finest music festival in the world") or the all-night debauchery of Ibiza, Spain's closing parties ("These end-of-season events tend to attract an older clubbing crowd, who prefer to hop over to Ibiza for a long weekend [a 'cheeky one' in clubber speak] in the relative sanity of September"). But there's no reason to put off visiting either the Olinda or Recife carnivals ("the Brazilian carnivals that haven't sold out"); the reportedly life-changing Festival in the Desert near Essakane, Mali; Jamaica's vigorously laid-back Reggae Sumfest; or the Fes Festival of World Sacred Music, which I recently attended.

And if you want to start making plans this minute, the book's website will start you on your festive way.