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The season finale Sunday of Homeland marks the climax of a trifecta of sorts. The Showtime spy thriller is joined by a nearly surefire Oscar nominee for Best Picture (Silver Linings Playbook) and one of the best-reviewed Broadway musicals of recent years (Next to Normal) – completing a trio of powerful genre-busting works of art in which bipolar disorder drives the plot and is at the heart of the main character’s identity. So what does this mean for the rest …
It was a late night phone call while I was away on business travel. I immediately felt a knot in my stomach, fearing it would be about my parents in Arizona. But it wasn’t. It was worse. It was a family friend. “Shaelee is dead,” she said. Just like that. The sound of those words is harshly embedded in my memory; a constant reminder of our instantly new reality. She was gone. Nothing we could do would help her anymore.