If there was a band that epitomized the zeitgeist of the mid-1970s, it was the Eagles, a quintet of laid-back troubadours who filled sports stadiums with fans clamoring to hear “Take It Easy,” “Lyin’ Eyes,” “Hotel California,” “Already Gone” and other hits.
When David Bowie burst into America’s consciousness in the early 1970s, he was the sort of pop music star the world had never seen before — an androgynous, pasty-faced English enigma with a bouffant of flaming red hair, who sang not of romance or fast cars, but of an extraterrestrial savior coming…
Natalie Cole, the daughter of legendary pop and jazz crooner Nat King Cole, was such a talented singer in her own right that she could have changed her name and still been a huge star.
You might not recognize Cory Wells by name, but you undoubtedly know his voice – in particular, his vocal on Three Dog Night's 1970 chart-topping single "Mama Told Me (Not to Come)," in which he artfully feigns panic after wandering into a particularly debauched soiree:
R&B singer Ben E. King, who passed away April 30 at age 76 in Hackensack, N.J., had a smooth, unaffected baritone and soulful delivery that earned him a string of top 10 singles between the late 1950s and early 1960s, both as a member of the Drifters and as a solo artist.
As a singer, Joe Cocker was blessed with a magnificently raspy, soulful delivery that made him one of the most immediately recognizable vocalists in the history of rock music.
If only a casual fan of classic 1960s soul music, you might easily confuse Jimmy Ruffin with his younger brother David, who rose to much greater fame as lead singer of the Temptations.
Legendary singer Linda Ronstadt, 68, undoubtedly has had plenty of secret admirers over the years, though perhaps none quite as famous as the president of the United States.
Actress-singer Elaine Stritch, who died on July 17 at age 89 in Birmingham, Mich., wasn't the sort who would go gentle into that good night - or any night, for that matter. The gravel-voiced Broadway diva, who made her career playing what the New York Times once called "brash and bawdy characters,"…